Erotic massage in Amsterdam after a theatre or concert-hall evening

Reading the programme like a timetable

A printed running time is a promise with a margin. Add the interval, add ten minutes for a late start and ten for the applause, and you have a realistic end. Opera and long orchestral programmes add more. A concert with a support act adds the gap between sets. Once you have that figure, add the time to reach the exit, collect a coat and get outside, which in a full hall can take longer than the walk home. That total is the hour to give in your message, and it is usually later than the one you first thought of.

When to write: the interval

The interval is the natural moment. You know by then whether the evening is running to time, your phone is allowed back out, and there is still enough of the performance left for her to plan her journey without rushing. Give the address, the hour you expect to be back and the length you want. If the reply arrives while the second half has begun, it will wait in the thread. Writing before the show starts also works, as long as you are willing to send a short correction if the second half runs long.

Erotic massage in Amsterdam after the applause

She comes to your room, never to the hall, the foyer or the café across the square. The performance belongs to your evening, and the session begins when you are back and the door is shut. That line holds for every booking the house arranges, and it is why the whole of this page is about timing rather than about meeting. Getting back first matters: a therapist waiting in a hotel corridor at half past eleven while a guest is still in the queue for coats is the only real way this evening goes wrong.

The crowd at the exit

A thousand people leave a large hall at the same moment, and all of them want a taxi or the same tram. Walking the first ten minutes, away from the crush, usually beats waiting at the stop outside the building. If the ride back is longer than the walk would be, walk. Build that into the hour you give, and if you find yourself stuck, write before she is likely to have set out rather than after. The page on booking from a taxi or tram covers the arithmetic of the ride itself.

A head still full of music

Some performances leave people tired. Others leave them wide awake, with the last movement still going round. The format is worth choosing with that in mind. Tantra massage, slow and paced by breath, sits well with a mind that is still running, and ninety minutes is the shortest length that suits it. A guest who comes back ready for sleep usually does better with sixty or ninety minutes of oil work, which asks nothing of the room and can end as quietly as it began.

Matinees and early evening performances

Not every show ends late. A matinee or an early performance can leave you back at the room by seven, with dinner still ahead or already taken. In that case the booking is really an afternoon or early evening one, and the same forty to sixty minutes applies. It also opens the option of a longer session before a late dinner, although most guests prefer it the other way round. Either way, if the booking is more than twenty-four hours ahead, half the fee is confirmed in advance, and it carries over once if you move it with notice.

Two of you at the performance

Couples who went to the same show and want to come back to the same session read the couple column of the rates table on any profile, where a therapist each costs exactly twice the price of one therapist between you. Say which you mean in the first message, and say it is a couple booking, because the second arrangement needs two women free at the same hour. It is also worth agreeing between yourselves, before the interval rather than at the door, which one of you writes, so the thread has one voice in it.

If the evening is cancelled or runs long

A performance can be cancelled late, or a guest can decide at the interval that he would rather stay out. Moving the hour before she sets out is free. A cancellation inside the last twenty-four hours, sent before she has left, keeps half a deposit and returns half. Once she is on her way, the whole deposit is kept, unless another guest takes the hour, in which case it comes back. A booking made without a deposit costs nothing before she leaves, and after that only the share of the fee her journey represents.

What the room needs by the time you are back

Warmth, a low light and a bed she can reach from both sides. Drop the programme and the coat somewhere that is not the bed. Water on the table. If you come in five minutes before she knocks, that is enough, provided the heating was on before you left for the evening. The age rule does not change for a theatre night: every person in the room is twenty-one or over, and she may ask for a photo document at the door. The questions page answers what else tends to come up.